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|Viiking Music is Fender Custom shop dealer.
Multiple Custom shop models coming in with
lead time approx. 8 months - this item
is just one of them.
Custom built spec'd by Viiking coming in 2021.
Individual ones, please contact us.
The two-piece alder body’s Relic lacquer finish gives the look and feel of a well-loved guitar that’s seen countless stages. The rift-sawn tinted maple neck plays fast, with a comfortable 9.5”-radius fingerboard and 21 narrow tall frets. The trio of Hand-Wound Fat ‘50s single-coil pickups includes a reverse-wound/reverse-polarity middle pickup to reduce hum. Fat ‘50s wiring creates stronger tone with more transparent bloom, reducing treble loss when rolling back volume—achieved in part by wiring the tone pot to the output of the volume pot.
Other features include Closet Classic hardware, five-way switch, Custom Shop vintage synchronized tremolo, vintage-style tuning machines, bone nut, and wing string tree. Includes deluxe hardshell case, strap and certificate of authenticity.
1956 was a transitional year for the Strat®, with the introduction of alder bodies rather than ash on Sunburst and custom-color models. In November of that year, a soft “V” neck back shape appeared that was sometimes slightly off center—a profile we’ve recreated for this version—and the rectangular “wing” string tree replaced the disc type. Overall, the 1956 Strat became a highly sought-after classic, and now we’ve given it several updated player-friendly appointments for comfort and improved tonal capabilities.
The Custom Shop is home to Fender’s most skilled and talented builders. It’s a bustling, noisy and creatively volcanic place that re-earns its nickname—the Dream Factory—every day. Custom Shop builders are completely dedicated to their art—part craftsman, part artist, part music fan and, more often than not, part mad scientist. They’re the best at what they do, and they pour all of their passion, hard-earned knowledge and skill into every instrument they build. It’s no ordinary place, and the creations that come from it are no ordinary instruments. Welcome to the Fender Custom Shop.
For players who wish to create a completely custom instrument—anything from a humbucking pickup-equipped banjo to a custom-engraved aluminum-bodied Strat®—we offer Masterbuilt, a singular experience working one-on-one with one of our Master Builders. Custom-Built is for those prefer to start with one of our time-honored models and personalize the specifications to meet your specific needs. Use this guide to design your very own Masterbuilt or Custom-Built Fender guitar and make your dreams come true.
In every art form, there are those who have mastered their craft so thoroughly, through years of training and experience, their work routinely commands extra acclaim and admiration, not to mention outright awe. These astonishing artisans are the Master Builders of the Fender Custom Shop; a select group of the most talented builders recognized around the world for their matchless skill, limitless imagination and utter devotion to their art.
Crafting a guitar with a Custom Shop Master Builder is the ultimate artistic partnership—simply put, no idea is too crazy and no job too large or too small. They’ll walk you through everything—body design, neck shape, tonewoods, pickups, hardware and more—to give you the look, feel and sound that you’re searching for. From start to finish the Master Builder will personally ensure that each guitar is built with the highest possible quality and to your exact specifications. Additionally, it’s about more than just specifications, it’s about making the instrument of your dreams a concrete reality.
Your dreams are what make the Fender Custom Shop the reality that it is today. From its inception in 1987, the Custom Shop has grown from two builders to today’s more than 50 artisans—a veteran band of builders, each a specialist dedicated to their own area of expertise—working together to build your ideal Fender to your exact specifications. From neck shaping and fretwork to finishing and aging—every step of creation—each Custom Shop craftsperson brings years of hard-earned skill and dedication to bear on your custom-built guitar with one goal in mind—to create an instrument and playing experience that can only come from the Fender Custom Shop.
A Fender Custom-Built guitar lets you define your ideal instrument. Begin with one of our base models and choose from our vast selection of options to customize it as little or as much as you want to meet your personal needs, aesthetic taste and playing style.
Whatever shape your dream may be, our luthiers stand ready to craft an instrument that will unlock your utmost creativity and self-expression. Their passion is bringing your dreams to reality, to create the ultimate instrument—one personally customized exclusively for you.
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Dale Wilson arrived at Fender in 2003, joined the Custom Shop in 2005 and became a Master Builder in 2011. Building guitars has been a driving passion for the California native since childhood. “Ever since I can remember, I’ve always loved guitars,” he said. “I didn’t dream of being a rock star; I dreamed of building the ultimate guitar. I was equally enthralled with the guitars just as much as I was with the players.”
Woodworking runs in the Wilson family, and the requisite Custom Shop zeal for outstanding craftsmanship has long been part of Dale’s DNA. He did repair work and mods in a small guitar shop right out of high school in the late 1980s; subsequently moving on to stints at Dobro and Rickenbacker before arriving at Fender, where he worked on Guild, Gretsch and Benedetto guitars before beginning his apprenticeship with various Custom Shop Master Builders.
He enjoys calling upon his extensive and varied experience as a craftsman to create highly distinctive guitars such as the Resophonic Thinline Telecaster®. Wilson also built five beautiful custom guitars for the January 2011 NAMM Show while still an apprentice and was asked to sign the back of the headstocks, garnering him his Master Builder status.
Paul Waller is a Southern California native with woodworking and luthiery in his blood. He built his first guitar at age 14 in his high school woodshop, joined a cabinet shop right out of high school and, after a stint at a small Southern California guitar maker, enrolled at the acclaimed Roberto-Venn School of Luthiery in Phoenix, from which he graduated in spring of 2000.
Waller joined Fender in 2003. He spent two years working closely with master arch-top craftsman Bob Benedetto, and became steeped in the many facets of building techniques from all the Custom Shop’s Master Builders. After an extensive seven-year apprenticeship, Waller became a Master Builder in 2010.
His Fender Custom Shop work includes bass guitars for U2’s Adam Clayton, a custom Thinline Telecaster for U2 vocalist Bono, Telecaster guitars for the Rolling Stones’ Keith Richards and co-work on a Stratocaster for fellow Stones guitarist Ronnie Wood, Stratocaster guitars for Buddy Guy, the Nile Rodgers “Hitmaker” Stratocaster, and a custom double-neck Jazzmaster for Queens Of The Stone Age guitarist Troy Van Leeuwen.
As one of the preeminent archtop builders at the Custom Shop, Stephen Stern has studied under two of the world’s greatest archtop luthiers—Jimmy D’Aquisto and Bob Benedetto. Stern got his start apprenticing at a high-end cabinet shop straight out of high school.
Five years of that prepared him for his first job as a builder at Jackson/Charvel Guitars. Stern came to the Custom Shop in 1993, working with D’Aquisto on the latter’s namesake line of guitars until the great luthier’s death in 1995.
In the late ’90s, millionaire collector Scott Chinery commissioned a number of custom archtop guitars by two dozen of the world’s finest living luthiers; Stern contributed a custom-built D’Aquisto Ultra. Chinery’s “Blue Guitar Collection” is now housed in the Smithsonian Institution. Stern also built a handful of exquisite archtops in collaboration with the Walt Disney Co. to commemorate the anniversary of the animated classic Fantasia.
A Custom Shop veteran and son of longtime Fender R&D legend Dan Smith, Jason Smith grew up on Fender—“It has always been in my family,” he said, “And I was always extremely interested in everything my father did.”
Born in Rochester, N.Y., and raised in California, Smith remembers meeting guitar greats from about age five on through his father’s work with Fender—Eric Clapton, Yngwie Malmsteen, Jeff Beck and Robben Ford, to name only a few. He went to his first big rock concert at age six—Rush—and Smith remembers going backstage with his dad and meeting Geddy Lee after the show. Before he was even in his teens, Smith was going to see Pink Floyd, ZZ Top and many other major artists.
Rock music and Fender are part of his DNA. Smith joined the Fender Custom Shop in 1995, and in 2006 completed a five-year apprenticeship under acclaimed Senior Master Builder John English. Among many diverse projects with English, Smith worked on a pair of double-neck Stratocaster guitars for Stone Temple Pilots guitarist Dean DeLeo. He has since crafted fine instruments for players and acts including John 5, Michael Landau, Flea, Josh Klinghoffer, Geddy Lee, Steve Harris, Reggie Hamilton, Linkin Park, Kenny Wayne Shepherd, Neon Trees and many others.
From handcrafting many of his own woodworking tools to showcasing his world-class luthier skills and custom inlay work,
Yuriy Shishkov is truly one of the last of the renaissance guitar builders. It was in the small confines of a root cellar in his hometown of Gomel in the former Soviet Union that Shishkov got his start building guitars for friends and colleagues.
When he arrived in the United States in 1990, Shishkov settled in the Chicago area and collaborated with a range of top artists, including late shredder Dimebag Darrell of Pantera, Jimmy Page and Robert Plant of Led Zeppelin, Nuno Bettencourt, Robin Zander of Cheap Trick and Paul Stanley of Kiss. Shishkov joined the Fender Custom Shop’s Master Builder team in 2000 and has crafted truly magnificent instruments featuring exquisite detail and inlay work.
Todd Krause has built exquisitely crafted custom instruments for many of the world’s greatest artists, including Jeff Beck, Eric Clapton, Bob Dylan, David Gilmour, Robbie Robertson, Kenny Wayne Shepherd, Robin Trower, Roger Waters and many others.
His guitar-building apprenticeship began in early 1981 at Jackson/Charvel guitars. Krause arrived at Fender in 1991 and steadily rose through several roles, including one-off instrument builder, R&D model maker, and woodworking machinist. He became a Custom Shop Master Builder in 1997 and has since created countless distinctive instruments, all of which embody his personal design philosophy: “Form and function are the biggest part of it,” he said. “It’s about the way an instrument sounds and feels. It has to look cool, and it has to compel you to play.”
Like Fender itself, Dennis Galuszka is a Southern California native. Combining his dual passions for music and woodworking, he began building high-end acoustic guitars during his 13 years as a cabinetmaker. As a working drummer, it was a 1999 audition with one of the Fender Master Builders that led to a job interview and a new kind of steady gig—as an apprentice at the Fender Custom Shop.
After only eight months there, Galuszka was promoted to Master Builder. He has since built finely crafted instruments for influential players including Paul McCartney, Andy Summers, Johnny Marr, Patrick Stump, Mike Dirnt, Sting and many others. He has lent his expertise to a number of truly distinctive instruments, including double-neck guitars and unusual takes on classic Fender designs, and several artist model designs. “It’s all about the feel and sound of an instrument,” Galuszka said. “Those things are number one with me, above everything else.”
Greg Fessler came to the Fender Custom Shop in 1990, working his way up through the ranks as an apprentice. He assisted with the Robben Ford signature line of guitars, eventually becoming the sole builder of those instruments and, later, Ford’s personal builder. Fessler has built one-off Stratocaster and Telecaster models for a host of players, including Joe Bonnamasa, Jeff Healey, Hank Marvin, John Mayer, Rhonda Smith, Neil Schon and Pete Wentz, to name only a few.
Fessler’s remarkable abilities as a Master Builder have earned him accolades from many Fender artists and from discerning customers worldwide. His meticulous attention to detail is exemplified in every instrument he creates, each of which is a perfect example of the intense commitment it takes to earn the title of Master Builder.
John Cruz came to Fender in 1987, joined the Custom Shop in 1993 and became a Master Builder in 2003. Being a guitarist and understanding what a great guitar should look, feel and sound like has always been a top priority for him.
Custom guitars are his passion, and he is the man behind several famous Custom Shop instruments, including the replica of Stevie Ray Vaughan’s famous “Number One” Stratocaster guitar, the Jeff Beck Esquire Relic (as used with the Yardbirds), the replica of Yngwie Malmsteen’s famous “Duck” Stratocaster, the John Mayer Limited Edition Black 1 Stratocaster, And most recently The Famed limited Edition Gary Moore 1961 Fiesta Red Stratocaster as well as countless others.
Ron Thorn brings decades of expertise in guitar luthiery, namely inlay work, to the Fender Custom Shop. Thorn’s relationship with the Fender Custom Shop team stems from his wildly successful inlay business, Thorn Inlay — which has been the sole inlay provider for the Fender Custom Shop since the mid-90s.
He’s built more than 800 custom instruments under the name Thorn Guitars, and will now build exclusively for Fender Custom Shop effective immediately. Thorn is among the first to assume the title Principal Master Builder — one of the highest honors at the Shop and in the guitar building community.
Kyle McMillin brings 15 years of musical instrument experience to the Fender Custom Shop. A loyal Fender employee for 15 years, McMillin just finished a five-year apprenticeship under Principal Master Builder Yuriy Shishkov — working on nearly 1,000 guitars with the esteemed builder.
McMillin now joins a team of the world’s finest guitar builders as a Master Builder at the Fender Custom Shop.
Carlos Lopez received his first electric guitar – an American Standard Stratocaster – as a teenager, and hasn’t looked back since. The East Los Angeles native graduated from the Musician’s Institute Guitar Craft program in 2006 and was hired by Fender mere months later as an assembly builder. Promoted to the Custom Shop in 2007, he spent the next eight years in the Team Built division, honing his Fender chops and assisting Master Builders on various projects.
Lopez became an Apprentice Master Builder under Todd Krause in 2017, assisting with guitars for Eric Clapton, Jeff Beck, Robbie Robertson, Kenny Wayne Shepherd, Robin Trower and others. He has also helped craft an array of distinctive Fender creations, including a stunning ’69 Tele Relic in Green Tinted Ice Blue Metallic and, alongside Custom Shop Master Builder Scott Buehl, a transparent acrylic Stratocaster played by Grammy-winning artist Gabriella “H.E.R.” Wilson at the 2019 Grammy awards ceremony.
“I’ve learned from the best of the best, and I can’t put into words how special it is to be a part of such an iconic brand with some of the finest builders in the world,” Lopez said. “It truly is an honor.”
Originally from the Netherlands, Vincent moved to California in 2005 and began working for Fender immediately.
After wearing a variety of hats in different departments, he started in the Custom Shop in 2012.
A 2-year assistant role with Stephen Stern at the Gretsch Custom Shop was followed by a 5-year apprenticeship with John Cruz. During this time, Vincent worked on many prestigious guitars, including the replica of Gary Moore’s ’61 Stratocaster, a 30-piece run of the Jimmie and Stevie Ray Vaughan 30th anniversary Stratocaster guitars, and most recently the Phil Lynott Precision Bass.
A musician himself, Vincent has always been a Fender fan. “There’s a certain feel and sound and look that is specific to Fender instruments, and that’s the reason people love them so much. To me that’s exciting, and to be part of a legacy like that is a dream come true.”